The piece I am writing here about is with a history, one that had created a big turmoil when first performed. It is in itself a disturbing piece about the renewal and sacrifice of energies – “the mystery and great surge of the creative power of Spring†as Strawinsky defined it: Le Sacre Du Printemps. […]Read More
»Strictly speaking I believe I’ve never been anywhere« – that can also be translated to – “.. I have been everywhere .. ” and both might be essential in a similar way for the unique performance Deborah Hay gave during the recent ‘Tanz im August’ Festival in Berlin. See here an excerpt of a similar […]Read More
‘db’ is the cryptic title of the actual show by the Japanese artist and composer Ryoji Ikeda that by no means can be emphasized as an ‘empty set’. This notion, which is used to express the smallest unit in mathematical philosophy, constitutes as well an attractive field for the artist who is known for his […]Read More
Political Mother – The Choreographer’s Cut by Hofesh Shechter rocks! That can be taken literally, in terms of the acoustic score, as well read in the visuals. The piece conveys an eclectically figurative language like one might know from a graphic novel. It is a composite of wild action seemingly excerpted from a Japanese manga, […]Read More
By accident I am just discovering Chris Kraus, film-maker, writer and co-editor of Semiotext(e) as I came across the announcement for Performative Philosophy: The films and writings of Chris Kraus and Semiotext(e) at Monash University Museum of Art. An event I certainly wanted to visit, if it weren’t that far down under. Performative Philosophy: The […]Read More
There is not that much I find about Tankred Dorst’s Merlin or the Wasteland in English sources, and I have to admit that I myself wasn’t aware of this work, which now caught me and my attention, as a piece itself and as the specific piece I saw enacted by nine young students at the […]Read More
Another performance I had the chance to see lately was Dave St.Pierre’s Libido, which was performed in the context of intransit 11 in Berlin. Admittedly it has been both – disturbing and thrilling – not just because of the nudity (I guess as coming from artistic performance, that is simply not the most overwhelming advancement […]Read More
In the context of the ‘Border Border Express‘ event at the HAU in Berlin I was so lucky to see two fantastic pieces by Nelisiwe Xaba with 2 pieces: They look at me and that’s all they think & Sarkozy Says ‘Non’ To The Venus Both pieces refer to the story of Sara Baartman, known […]Read More
The current exhibition Laurie Anderson, Trisha Brown, Gordon Matta-Clark – Pioneers of the Downtown Scene, New York 1970s is much more interesting than many other recent one’s in this field in my opinion. Performance artist and musician Laurie Anderson, choreographer Trisha Brown and artist Gordon Matta-Clark were friends and active participants in the New York […]Read More
Munich’s Haus der Kunst currently hosts two shows worth visiting – ‘move – Art and Dance Since the 1960s‘ and ‘Future Beauty 30 years of Japanese fashion‘. For the moment I will mainly focus on the first one, but also come back on the fashion show ‘future beauty’, which covers 30 years of Japanese fashion […]Read More
‘The Offside Rules‘ is the last production form the dancegroup around Constanza Macras, which was commissioned by the Goethe Institut for the 2010 football World Cup. In this coproduction of the Goethe-Institut South Africa, the Market Theatre, Johannesburg, and Constanza Macras/Dorky Park, three performers from Macras’ company teamed up with dancers from Johannesburg, who were […]Read More
Spoken language and body language, both mix in an exquisite way in the latest piece of Sidi Larbi Cherkaoui en Damien Jalet – BABEL (words). The piece fascinatingly shows a wide variety of expressions including aggression, humor, an almost slapstick-like behavior and a deep sensuality for the forms and languages of the body, – and […]Read More
In the new issue of Kaleidoscope I came across an article on the new work of the dancer Michael Clark & his company and trying to find out more … just discovered these elder ones .. It is in attitude quite close to traditional ballet, though refreshingly breaking down boundaries … crossing into and playing […]Read More
.. as I might be able to attend …. or at least consequent pieces …. Xavier Le Roy – Self Unfinished (1998) .. will be able to see ‘Babel’ in December though this looks amazing …. .. and just something I would loved to have seen ..Read More