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Pieces in the space of in-between
CocoonDance ‘Pieces of Me’ dissolves the fixed stage as well as linear narration. Concepts like these certainly attract my attention, nevertheless I am also aware that such an experiment might not necessarily lead to an immersing experience of now here, but eventually a no where situation. In the case of this piece it is hard […]
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tauberbach – sensing Bach
The titel Tauberbach of one of the latest pieces of Les Ballets C de la B and Alain Platel, if translatable at all might be read as deafbach, which includes this misspelling of putting two words (deaf +Bach) together, which usually are not written that way. Tauberbach refers to the work of the polish artist […]
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Tanz über Gräben – Sacré Sacre du Printemps
The entrance piece to the recent conference ‘Tanz über Gräben’ at the Radialsystem V was for me certainly L. Chétouane’s choreography of ‘Sacré Sacre du Printemps’ and its re-staging at the HAU in this context. It was now shown in the much wider horizon of this really multi-facetted conference, reminding 100 years of the first […]
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Violet – last perceivable color before the unknown
In Meg Stuart’s citing of herself: “often I say to my dancers: Your body is not yours.”2 (link) lingers a resonance quite close to Spinoza’s ”what the body can do” – “the body itself, merely from the laws of its own nature alone, can do many things, at which the mind marvels.”3 Stuart’s 2011 piece […]
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DISTORTION_VERZERRUNG
Constanza Macras’ piece Distortion is a first time cooperation with the HipHop Academy Hamburg. The break- and street dancers meet the live musicians from the company of DorkyPark in a choreography that diffracts breakdance and hip-hop moves with keywords from political and media discourses. In question is the definition of identity for ‘being German’ when […]
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Being open for the open –
on L. Chétouane’s 15 Variationen über das OffeneL. Chétouane – 15 Variations on Openness premiered at the HAU, Berlin, 30./31. August 2013 Being open for the open – this setting for a mutual encounter of the undefined asks to allow the yet still unexplicable to approach one’s sense/bility in all its open-ended variations of possibilities, and to whatever experience it might lead. […]
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My only true country is my body
Faustin Linyekula & CCN-Ballet de Lorraine La Création du monde 1923 – 2012 Recreation of the choreography of 1923: Millicent Hodson & Kenneth Archer see an excerpt here at youtube Body politics is of great concern these days, and here in the West we are so often subject to it through subtle and habitual ways, that we […]