… the way art works / Chinese way

The Committee to Protect Journalists points to an interesting – or better to say – shocking interview with Zhang Yimou, film director, who did the coreography for the Beijing opening show:

Thanks to Xiao Qiang, director of the China Internet Project at the University of California Berkeley Graduate School of Journalism and Sophie Beach at China Digital Times for taking the time to translate and post Southern Weekend’s interview with Zhang Yimou, the once renegade movie maker who took on the job of organizing the opening ceremony of the Beijing Games. The excerpt is called “The Way Art Works,” and it turns out that the way art works in China is not pretty. Zhang has become mainstream and in doing so has become controversial again. His early movies were low budget, set in ordinary people’s lives and had a gritty reality that ran into a lot of problems with censors but found receptive audiences overseas. Lately he has

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The Disorder of Things

One hardly hears anything anymore about Italian filmmaker Lina Wertmüller, who once started as Federico Fellini’s assistant on the set of 8 1/2, except that there has been her birthday the other day. But she might be worth to be recalled for some of her extra ordinary films or as the Harvard Film Archive put it in their June series ‘The Disorder of Things’ : .. Wertmüller remains a well-known name, her remarkable films are strangely overlooked and only selectively revisited. And yet, the incredible energy and daring of her most popular works is equally present in lesser-known masterpieces such as All Screwed Up and The Seduction of Mimi, films that are both extremely topical and yet still totally relevant today.

During the 1970s, Lina Wertmüller (b. 1928) emblazoned her name into the pantheon of Italian cinema with a series of intensely polemical, deeply controversial and wonderfully entertaining films. Among the most politically

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GAP*

The gap as the metaphor for the void / empty space which is necessary to have other things evolve -> to get a 'moving' / streaming image - a changing image -> thus the gap as the moment of free space, defining the closed 'programmed' space / the scripted space, which needs the break to get the next action running / the next character introduced -> bits, morse, pulse, flash, etc..

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