“You can’t dance beyond gravity, but you can relate to it. You can consider it not only as something that limits us but also as something that defines us. You can dance with it …” (Keersmaeker in the accompanying book…
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Berlin in August is already blessed with its annual festival ‘Tanz im August‘, so this year it coincidences with the just opened show What the Body Remembers. Dance Heritage Today at the AdK in the Hansaviertel. It brings together an…
Barely have I redirected here to other articles in full length – yet reading Svitlana Matviyenko’s article “Interpassive User: Complicity and the Returns of Cybernetics” in The Fiberculture Journal provided such insight through its interweaving of strands of thought. Her…
UPDATE 20.Nov: See here for a review in the Guardian. A.I.M.’s piece Pavement is a gem, a real ‘must see’, in interdisciplinary choreography. While I was visiting with little more pre-information than that I liked the posters of street dance…
UPDATE 04/2017: In an interesting essay Mckenzie Wark examines the work of Randy Martin mainly focusing on Martin’s Knowledge LTD: Towards a Social Logic of the Derivative (2015). Wark shows how Martin’s reading of postmodern dance and his understanding of…
Trisha Brown – amazing and iconic figure in the arts, dance and explorer of movement died four days ago. NYT obituary – and just found: a detailed description especially on her early work in The Guardian together with a video…
.. hot wax, plaster, some white powder, colored water and presumably a lot of air not only to breathe, but to activate the instruments, were the main ingredients of Miet Warlop’s rock spectacle (or opera?) “Fruits of Labor”. There is…
… or the difference between entanglement and entrapment. It starts with a blue lit up mesh ball, first just sitting there, then softly animated through the movement of a breathing body. This thing seems to be even livelier than the…
HAU 2, 3.12.2016 A composition of pieces and elements could also be described what Ian Kaler presents as the third part of the o.T. series, this time subtitled (incipient futures). Though in this case, rather than fostering the sensation of…
“We are approaching an oscillation between organism, apparatus, sensuality and hybrid matter.” from the invitation card for the dance piece Pieces and Elements by Isabelle Schad at the HAU Berlin, 28.11.2016 On entering the HAU 2, a medium sized black…
This selection is not as arbitrary as just providing a collection of pieces I saw recently. Though certainly that I have not written here in long contributes to bringing these three works together in one longer post, instead of three.…
Concepted by Jeremy Wade DrawnOnward is a collaboration with the choreographer Juli Reinartz, musician and co-performer Marc Lohr, writer John-Erik Jordan, costume designer Grzegorz Matlag and dramaturge Maximilian Haas. Or according to the acceleration from the leaflet: DrawnOnward is a…
Affirmatively watching a dance piece will affect your mirror neurons subconsciously, but there are works which obviously address an even deeper level than seeing motion sequences. Pieces like Kat Valastur’s Oh! Deep sea-corpus III, where a stroboscopic effect evoked through…