The future is flat, but we will be singing. All what is left for our visual and haptic sensations is the surface. Don’t tell me you still think 3D and virtual reality has depth. In fact it is as plane as Shadow Theater. The future is a never ending surface presence of channel surfing. Life […]Read More
The above line references the two titles the Mind is a Muscle and feelings are facts, which belong to works and theoretical insights of one of the most outstanding artists working in what it means to have, move, and be a body, Yvonne Rainer. In 1968 accompanying her evening length performance the Mind is a […]Read More
The titel Tauberbach of one of the latest pieces of Les Ballets C de la B and Alain Platel, if translatable at all might be read as deafbach, which includes this misspelling of putting two words (deaf +Bach) together, which usually are not written that way. Tauberbach refers to the work of the polish artist […]Read More
Attenberg is a special film and as the director, Athina Rachel Tsangari, says, it does and further might divide the audience. Nevertheless I insist that it is a great film, so worth watching – and not only for finding out, what the intention is behind this spread out poster image of the may be strangest […]Read More
It’s a quite striking experience to see specificly that film at the Sony Center in Berlin, where I went to attend an original language version. Upon exit one needs some seconds to realize that the light blue sky lit up above when leaving the evening screening of the film is a reality not too diverse […]Read More
By accident I am just discovering Chris Kraus, film-maker, writer and co-editor of Semiotext(e) as I came across the announcement for Performative Philosophy: The films and writings of Chris Kraus and Semiotext(e) at Monash University Museum of Art. An event I certainly wanted to visit, if it weren’t that far down under. Performative Philosophy: The […]Read More
arte TV takes its 20th birthday to show a special program, which also includes re-airings of important films or series of the last years. Tonight the main program (will be repeated twice in november) was ‘Taxi to the Darkside‘ by Alex Gibney, a disturbing and important film, exploring the torture methods the world’s biggest democracy […]Read More
I always liked Friederike Mayröcker writings .. and this is a perfect beginning of a film I would wish to see …. soon .. DAS SCHREIBEN UND DAS SCHWEIGEN – Trailer >>> website of the filmmakerRead More
A strange trailer was the best I could find to bring over a feeling for a film hard to be described. May be the closest description is indeed to favor its strong feminine point of view – women looked at in their unique characteristics, restrictions, and ways they find for their desires. A deep melancholy […]Read More
… cannot say much more at the moment, as that I definitely want to see this exhibition at the Schirn in Frankfurt! “Celloluid. Cameraless Film” at the Schirn, Frankfurt a.M., Germany The exhibition “Celluloid. Cameraless Film” the Schirn, Frankfurt, focuses on a particular art film genre … .. in which footage is produced by creating […]Read More
I just HAVE to reblog this, as it is such a beautiful and enlightening post on Sexual Milestones of Old Hollywood. I found it on gawker.com, which refers to filmsite and other great film-related sites and simply should not be forgotten that quickly within the worldwide ww.Read More
Though I really enjoyed watching the new Tim Burton version in 3D – despite some critical points one could add, but are out there anyway – it is so worth to look up and focus a bit on some older versions. One amazing find has been made by the BFI – the British Film Institute […]Read More
.. but may be I’ll take two – hope you don’t mind …. …. that at least is the impression I got, when I finally had the chance to see Avi Mograbi’s documentary Z32. Nevertheless by the filmmaker’s doubts, which have been mixed into the film as questioning songs, it all together might – regarding […]Read More
Short, but stunning city portrait: ‘MANHATTA’ A portrait of New York by painter Charles Sheeler and photographer Paul Strand. The title cards show quotes from Walt Whitman’s “Leaves of Grass”. Wikipedia “The film spans an imaginary day in the life of New York City, beginning with footage of Staten Island ferry commuters and culminating with […]Read More