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	<title>&#62;&#62; mind the __ GAP* ? &#187; performativity</title>
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	<description>*generally advanced performance</description>
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		<title>Failure as springboard to success</title>
		<link>http://www.mindgap.org/index.php/2011/12/failure-as-springboard-to-success/</link>
		<comments>http://www.mindgap.org/index.php/2011/12/failure-as-springboard-to-success/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 14:19:25 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=2247</guid>
		<description><![CDATA[By accident I am just discovering Chris Kraus, film-maker, writer and co-editor of Semiotext(e) as I came across the announcement for Performative Philosophy: The films and writings of Chris Kraus and Semiotext(e) at Monash University Museum of Art. An event I certainly wanted to visit, if it weren't that far down under.

Performative Philosophy: The ...]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>small theater-great result: merlin or the wasteland</title>
		<link>http://www.mindgap.org/index.php/2011/07/small-theater-great-result-merlin-or-the-wasteland/</link>
		<comments>http://www.mindgap.org/index.php/2011/07/small-theater-great-result-merlin-or-the-wasteland/#comments</comments>
		<pubDate>Sun, 03 Jul 2011 14:23:42 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1751</guid>
		<description><![CDATA[There is not that much I find about Tankred Dorst's Merlin or the Wasteland in English sources, and I have to admit that I myself wasn't aware of this work, which now caught me and my attention, as a piece itself and as the specific piece I saw enacted by nine young students at ...]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>I like: Canada&#8217;s enfant terrible</title>
		<link>http://www.mindgap.org/index.php/2011/06/i-like-canadas-enfant-terrible/</link>
		<comments>http://www.mindgap.org/index.php/2011/06/i-like-canadas-enfant-terrible/#comments</comments>
		<pubDate>Thu, 30 Jun 2011 11:52:51 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1740</guid>
		<description><![CDATA[Another performance I had the chance to see lately was Dave St.Pierre's Libido, which was performed in the context of intransit 11 in Berlin. Admittedly it has been both - disturbing and thrilling - not just because of the nudity (I guess as coming from artistic performance, that is simply not the most overwhelming ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8230; so worth to see: NELISIWE XABA</title>
		<link>http://www.mindgap.org/index.php/2011/06/so-worth-to-see-nelisiwe-xaba/</link>
		<comments>http://www.mindgap.org/index.php/2011/06/so-worth-to-see-nelisiwe-xaba/#comments</comments>
		<pubDate>Wed, 29 Jun 2011 19:46:43 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[multitude]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[sound/voice]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1724</guid>
		<description><![CDATA[In the context of the 'Border Border Express' event at the HAU in Berlin I was so lucky to see two fantastic pieces by Nelisiwe Xaba with 2 pieces:  They look at me and that's all they think &#038; Sarkozy Says ‘Non' To The Venus

Both pieces refer to the story of Sara Baartman, ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pioneers Of The Downtown Scene NYC</title>
		<link>http://www.mindgap.org/index.php/2011/04/pioneers-of-the-downtown-scene-nyc/</link>
		<comments>http://www.mindgap.org/index.php/2011/04/pioneers-of-the-downtown-scene-nyc/#comments</comments>
		<pubDate>Sat, 09 Apr 2011 11:20:56 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[space]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1655</guid>
		<description><![CDATA[The current exhibition Laurie Anderson, Trisha Brown, Gordon Matta-Clark - Pioneers of the Downtown Scene, New York 1970s is much more interesting than many other recent one's in this field in my opinion.  

Performance artist and musician Laurie Anderson, choreographer Trisha Brown and artist Gordon Matta-Clark were friends and active participants in the ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Move: choreographing yourself &#8230;.</title>
		<link>http://www.mindgap.org/index.php/2011/03/coreographing-yourself/</link>
		<comments>http://www.mindgap.org/index.php/2011/03/coreographing-yourself/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 11:42:10 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1579</guid>
		<description><![CDATA[Munich's Haus der Kunst currently hosts two shows worth visiting - 'move - Art and Dance Since the 1960s' and 'Future Beauty 30 years of Japanese fashion'. For the moment I will mainly focus on the first one, but also come back on the fashion show 'future beauty', which covers 30 years of Japanese ...]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Offside Rules</title>
		<link>http://www.mindgap.org/index.php/2011/01/the-offside-rules/</link>
		<comments>http://www.mindgap.org/index.php/2011/01/the-offside-rules/#comments</comments>
		<pubDate>Thu, 20 Jan 2011 18:16:44 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[general gap]]></category>
		<category><![CDATA[hybridity]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[mapping]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[space]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1568</guid>
		<description><![CDATA['The Offside Rules' is the last production form the dancegroup around Constanza Macras, which was commissioned by the Goethe Institut for the 2010 football World Cup. In this coproduction of the Goethe-Institut South Africa, the Market Theatre, Johannesburg, and Constanza Macras/Dorky Park, three performers from Macras’ company teamed up with dancers from Johannesburg, who ...]]></description>
		<wfw:commentRss>http://www.mindgap.org/index.php/2011/01/the-offside-rules/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Danced Diversity</title>
		<link>http://www.mindgap.org/index.php/2010/12/danced-diversity/</link>
		<comments>http://www.mindgap.org/index.php/2010/12/danced-diversity/#comments</comments>
		<pubDate>Mon, 13 Dec 2010 13:43:00 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[hybridity]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1561</guid>
		<description><![CDATA[Spoken language and body language, both mix in an exquisite way in the latest piece of Sidi Larbi Cherkaoui en Damien Jalet - BABEL (words). The piece fascinatingly shows a wide variety of expressions including aggression, humor, an almost slapstick-like behavior and a deep sensuality for the forms and languages of the body, - ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dance is hard to see *</title>
		<link>http://www.mindgap.org/index.php/2010/11/dance-is-hard-to-see/</link>
		<comments>http://www.mindgap.org/index.php/2010/11/dance-is-hard-to-see/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 10:36:01 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[space]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1553</guid>
		<description><![CDATA[In the new issue of Kaleidoscope I came across an article on the new work of the dancer Michael Clark  &#038; his company and trying to find out more ... just discovered these elder ones .. 

It is in attitude quite close to traditional ballet, though refreshingly breaking down boundaries ... crossing into ...]]></description>
		<wfw:commentRss>http://www.mindgap.org/index.php/2010/11/dance-is-hard-to-see/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>some favorites to look forward to &#8230;&#8230;</title>
		<link>http://www.mindgap.org/index.php/2010/11/some-favorites-to-look-forward-to/</link>
		<comments>http://www.mindgap.org/index.php/2010/11/some-favorites-to-look-forward-to/#comments</comments>
		<pubDate>Mon, 22 Nov 2010 21:52:49 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[hybridity]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[sound/voice]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1550</guid>
		<description><![CDATA[ .. as I might be able to attend  .... or at least consequent pieces ....

Xavier Le Roy - Self Unfinished (1998) 



.. will be able to see 'Babel' in December though this looks amazing ....



.. and just something I would loved to have seen ..

]]></description>
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