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	<title>&#62;&#62; mind the __ GAP* ? &#187; sound/voice</title>
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	<description>*generally advanced performance</description>
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		<title>women without men</title>
		<link>http://www.mindgap.org/index.php/2010/07/women-without-men/</link>
		<comments>http://www.mindgap.org/index.php/2010/07/women-without-men/#comments</comments>
		<pubDate>Mon, 05 Jul 2010 20:52:05 +0000</pubDate>
		<dc:creator>mo</dc:creator>
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		<description><![CDATA[A strange trailer was the best I could find to bring over a feeling for a film hard to be described. May be the closest description is indeed to favor its strong feminine point of view &#8211; women looked at in their unique characteristics, restrictions, and ways they find for their desires. A deep melancholy [...]]]></description>
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		<title>&#8216;an eye for an eye &#8230;.&#8217;</title>
		<link>http://www.mindgap.org/index.php/2009/11/an-eye-for-an-eye/</link>
		<comments>http://www.mindgap.org/index.php/2009/11/an-eye-for-an-eye/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 21:33:19 +0000</pubDate>
		<dc:creator>mo</dc:creator>
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		<category><![CDATA[film]]></category>
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		<category><![CDATA[hybridity]]></category>
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		<guid isPermaLink="false">http://www.mindgap.org/?p=1074</guid>
		<description><![CDATA[.. but may be I&#8217;ll take two &#8211; hope you don&#8217;t mind &#8230;. .... that at least is the impression I got, when I finally had the chance to see Avi Mograbi&#8217;s documentary Z32. Nevertheless by the filmmaker&#8217;s doubts, which have been mixed into the film as questioning songs, it all together might &#8211; regarding [...]]]></description>
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		<title>3 G &#8211; work in progress</title>
		<link>http://www.mindgap.org/index.php/2009/11/3-g-work-in-progress/</link>
		<comments>http://www.mindgap.org/index.php/2009/11/3-g-work-in-progress/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 13:28:58 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
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		<guid isPermaLink="false">http://www.mindgap.org/?p=1047</guid>
		<description><![CDATA[Third Generation &#8211; a theater piece of young Israeli writer and director Yael Ronen, which had been developed in 2008 with the support of the Berlin Schaub&#252;hne, Tel Aviv&#8217;s Habima National Theater and some funding of german institutions, sounds like an interesting experiment. It brings together a younger generation of three people, who all may [...]]]></description>
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		<title>West Bank wall graffiti &#8211; UPDATED</title>
		<link>http://www.mindgap.org/index.php/2008/12/west-bank-wall-graffiti/</link>
		<comments>http://www.mindgap.org/index.php/2008/12/west-bank-wall-graffiti/#comments</comments>
		<pubDate>Fri, 26 Dec 2008 09:49:11 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[general gap]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[sound/voice]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=796</guid>
		<description><![CDATA[a bansky painting from a slide show on spiegel online/ another row of images on the theme can be looked up at reuters.com In the West Bank, Israel&#8217;s security barrier has started to resemble the western side of the Berlin Wall. The Israeli side is bleak and clean, but on the Palestinian side graffiti can [...]]]></description>
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		<title>“it’s not the gaze, but the look” &#8211; Female Icons</title>
		<link>http://www.mindgap.org/index.php/2008/12/%e2%80%9cit%e2%80%99s-not-the-gaze-but-the-look%e2%80%9d-female-icons/</link>
		<comments>http://www.mindgap.org/index.php/2008/12/%e2%80%9cit%e2%80%99s-not-the-gaze-but-the-look%e2%80%9d-female-icons/#comments</comments>
		<pubDate>Sun, 21 Dec 2008 13:07:51 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[general gap]]></category>
		<category><![CDATA[sound/voice]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=755</guid>
		<description><![CDATA[What makes a woman an icon? is an art project by De Geuzen which explores the constitution of a woman as an icon:The aesthetic of this project&#8217;s archive reinforces the idea that an icon or representation is in itself a way of seeing. Seeing the symmetrical grid of images almost evoke a sense of uniformity [...]]]></description>
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		<title>waltz with bashir</title>
		<link>http://www.mindgap.org/index.php/2008/06/waltz-with-bashir/</link>
		<comments>http://www.mindgap.org/index.php/2008/06/waltz-with-bashir/#comments</comments>
		<pubDate>Sat, 21 Jun 2008 09:18:50 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[film]]></category>
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		<category><![CDATA[mapping]]></category>
		<category><![CDATA[perception]]></category>
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		<guid isPermaLink="false">http://www.mindgap.org/index.php/2008/06/21/waltz-with-bashir/</guid>
		<description><![CDATA[The animated film by Ari Folman, which slowly starts to hit theaters, caused some interest at this year&#8217;s Cannes Film Festival. It introduces itself as a very personal narration about a soldier&#8217;s memory loss. From the synopsis: One night at a bar, an old friend tells director Ari Folman about a recurring nightmare in which [...]]]></description>
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		<title>Augusto Boal: Theater and sensitive thinking</title>
		<link>http://www.mindgap.org/index.php/2008/06/augusto-boal-theater-and-sensitive-thinking/</link>
		<comments>http://www.mindgap.org/index.php/2008/06/augusto-boal-theater-and-sensitive-thinking/#comments</comments>
		<pubDate>Mon, 16 Jun 2008 09:10:22 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[performativity]]></category>
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		<category><![CDATA[sound/voice]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/index.php/2008/06/16/augusto-boal-theater-and-sensitive-thinking/</guid>
		<description><![CDATA[During the last week the renown theater director and writer Augusto Boal held an event on invitation of the berlin biennale. It was a very special evening introducing himself through a longer speech, and then followed by some pieces with invited actors, his son and the participating audience to give a a lively impression of [...]]]></description>
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		<title>The voices of Küba</title>
		<link>http://www.mindgap.org/index.php/2008/05/the-voices-of-kuba/</link>
		<comments>http://www.mindgap.org/index.php/2008/05/the-voices-of-kuba/#comments</comments>
		<pubDate>Wed, 28 May 2008 12:34:49 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[multitude]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[sound/voice]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/index.php/2008/05/28/the-voices-of-kuba/</guid>
		<description><![CDATA[Berlin&#8217;s Tanas Gallery (Gallery for Contemporary Turkish Art) shows currently the prize-winning 2004 work &#8220;K&#252;ba&#8221; of Kutlug Ataman. The installation of 40 interviews on old-fashioned TV models, each supplied with an individual 2 second hand chair, creates a chorus of voices each telling their own story. In front of the monitor one is solely confronted [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Welcome to Nollywood and This is Nollywood</title>
		<link>http://www.mindgap.org/index.php/2008/05/welcome-to-nollywood-and-this-is-nollywood/</link>
		<comments>http://www.mindgap.org/index.php/2008/05/welcome-to-nollywood-and-this-is-nollywood/#comments</comments>
		<pubDate>Mon, 12 May 2008 21:01:46 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[sound/voice]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/index.php/2008/05/12/welcome-to-nollywood-and-this-is-nollywood/</guid>
		<description><![CDATA[Two recent films will help everyone interested to get information and some insight into the phenomenon of &#8216;Nollywood&#8217; &#8211; the nigerian video feature film industry &#8211; a not so recent, but increasingly developing cinema of its own standards. The 2006 production This is Nollywood by Franco Sacchi describes itself as a documentary film that captures [...]]]></description>
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		<title>The Metro</title>
		<link>http://www.mindgap.org/index.php/2008/05/the-metro/</link>
		<comments>http://www.mindgap.org/index.php/2008/05/the-metro/#comments</comments>
		<pubDate>Fri, 09 May 2008 21:56:08 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[sound/voice]]></category>

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		<description><![CDATA[Magdy El Shafee&#8217;s The Metro, a just recently in Egypt published graphic novel was confiscated by the authorities last week a few months after its publication.]]></description>
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