Currently the Britain located DV8 Physical Theater is on tour with their latest piece ‘Can we talk about this?’. It is a dance piece, which builds heavily on the actual theme of Islamophobia with specific accentuation on the British situation and thus luckily also recruits its dancers from a multicultural background. For me personally …
In the context of the ‘Border Border Express’ event at the HAU in Berlin I was so lucky to see two fantastic pieces by Nelisiwe Xaba with 2 pieces: They look at me and that’s all they think & Sarkozy Says ‘Non’ To The Venus
Both pieces refer to the story of Sara Baartman, ...
This will be a short post … and may be a bit late in time, as it has been written in a certain perspective after bin Laden’s death – though it’s a real nice find and finally actual at all times in so many places, not just America …. There are generally so often …
The current exhibition Laurie Anderson, Trisha Brown, Gordon Matta-Clark – Pioneers of the Downtown Scene, New York 1970s is much more interesting than many other recent one’s in this field in my opinion.
Performance artist and musician Laurie Anderson, choreographer Trisha Brown and artist Gordon Matta-Clark were friends and active participants in the …
Japan on the mind with all the horrifying news on earth quakes, tsunami and the nuclear disaster dropping in continuously – should one read the title as a promising outlook? ‘Future Beauty – 30 years of Japanese fashion’, the latest show at the Munich Haus der Kunst arrived via the Barbican in London at …
‘The Offside Rules’ is the last production form the dancegroup around Constanza Macras, which was commissioned by the Goethe Institut for the 2010 football World Cup. In this coproduction of the Goethe-Institut South Africa, the Market Theatre, Johannesburg, and Constanza Macras/Dorky Park, three performers from Macras’ company teamed up with dancers from Johannesburg, who …
Spoken language and body language, both mix in an exquisite way in the latest piece of Sidi Larbi Cherkaoui en Damien Jalet – BABEL (words). The piece fascinatingly shows a wide variety of expressions including aggression, humor, an almost slapstick-like behavior and a deep sensuality for the forms and languages of the body, – ...