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	<title>&#62;&#62; mind the __ GAP* ? &#187; communication</title>
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	<description>*generally advanced performance</description>
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		<title>Pioneers Of The Downtown Scene NYC</title>
		<link>http://www.mindgap.org/index.php/2011/04/pioneers-of-the-downtown-scene-nyc/</link>
		<comments>http://www.mindgap.org/index.php/2011/04/pioneers-of-the-downtown-scene-nyc/#comments</comments>
		<pubDate>Sat, 09 Apr 2011 11:20:56 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[space]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1655</guid>
		<description><![CDATA[The current exhibition Laurie Anderson, Trisha Brown, Gordon Matta-Clark - Pioneers of the Downtown Scene, New York 1970s is much more interesting than many other recent one's in this field in my opinion.  

Performance artist and musician Laurie Anderson, choreographer Trisha Brown and artist Gordon Matta-Clark were friends and active participants in the ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Danced Diversity</title>
		<link>http://www.mindgap.org/index.php/2010/12/danced-diversity/</link>
		<comments>http://www.mindgap.org/index.php/2010/12/danced-diversity/#comments</comments>
		<pubDate>Mon, 13 Dec 2010 13:43:00 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[hybridity]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1561</guid>
		<description><![CDATA[Spoken language and body language, both mix in an exquisite way in the latest piece of Sidi Larbi Cherkaoui en Damien Jalet - BABEL (words). The piece fascinatingly shows a wide variety of expressions including aggression, humor, an almost slapstick-like behavior and a deep sensuality for the forms and languages of the body, - ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>corporal experience: Out of Context &#8211; For Pina</title>
		<link>http://www.mindgap.org/index.php/2010/11/corporal-experience-out-of-context-for-pina/</link>
		<comments>http://www.mindgap.org/index.php/2010/11/corporal-experience-out-of-context-for-pina/#comments</comments>
		<pubDate>Wed, 10 Nov 2010 21:18:03 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1531</guid>
		<description><![CDATA[‘Chorea’ is a medical term referring to an affected nervous system, the symptoms of which are jerky movements and poor coordination.

Finally I had the chance to see the entire piece 'Out of Context - For Pina'  by Alain Platel &#124; Les ballets C de la B. Though it was a thought-provoking experience on ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>something else: the window across .. etc &#8230;</title>
		<link>http://www.mindgap.org/index.php/2010/10/something-else-the-window-across/</link>
		<comments>http://www.mindgap.org/index.php/2010/10/something-else-the-window-across/#comments</comments>
		<pubDate>Wed, 20 Oct 2010 20:01:47 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[sound/voice]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=1514</guid>
		<description><![CDATA[I always liked Friederike Mayröcker writings .. and this is a perfect beginning of  a film I would wish to see .... soon ..
DAS SCHREIBEN UND DAS SCHWEIGEN - Trailer>>> website of the filmmaker
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Islam in Europe / arabs and terrorism</title>
		<link>http://www.mindgap.org/index.php/2009/06/islam-in-europe-arabs-and-terrorism/</link>
		<comments>http://www.mindgap.org/index.php/2009/06/islam-in-europe-arabs-and-terrorism/#comments</comments>
		<pubDate>Wed, 10 Jun 2009 18:18:45 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[general gap]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[multitude]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[politics]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=974</guid>
		<description><![CDATA[Hm .... there is hope for a change after Obama's recent speech which the german magazine 'Der Spiegel' announced as A 'NEW BEGINNING' IN CAIRO, but certainly it won't work without looking  into one's own preconceptions. While in NYC the NYPL &#038; The European Union National Institutes for Culture (EUNIC) present "ISLAM IN ...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>As the Hammer Strikes</title>
		<link>http://www.mindgap.org/index.php/2009/05/as-the-hammer-strikes/</link>
		<comments>http://www.mindgap.org/index.php/2009/05/as-the-hammer-strikes/#comments</comments>
		<pubDate>Sun, 03 May 2009 19:55:29 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[media]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=909</guid>
		<description><![CDATA[Some online research after coming across this nice and unexpected Wittgenstein quote 

"In the actual use of expressions we make detours, we go by side-roads. We see the straight highway before us, but of course we cannot use it, because it is permanently closed."
(Ludwig Wittgenstein, Philosophical Investigations, 1953)

lead me to another interesting piece dealing ...]]></description>
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		<slash:comments>0</slash:comments>
<enclosure url="http://www.johnmassey.ca/installation/hammer.mp4" length="13627070" type="video/mp4" />
		</item>
		<item>
		<title>May 1, 2010</title>
		<link>http://www.mindgap.org/index.php/2009/03/may-1-2010/</link>
		<comments>http://www.mindgap.org/index.php/2009/03/may-1-2010/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 16:51:35 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[general gap]]></category>
		<category><![CDATA[media]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/?p=860</guid>
		<description><![CDATA[After the Yes Men / NGO last's year coup of handing out a fake version of the New York Times now the german anti-globalization group ATTAC imitated the weekly magazine 'Die Zeit'. The fake pages can be downloaded as pdf or read online (sorrily only in german).img via dw-world.defurther links: reuters: indiamediaspace_09 link to ...]]></description>
		<wfw:commentRss>http://www.mindgap.org/index.php/2009/03/may-1-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>lure of past Times and change in present POV</title>
		<link>http://www.mindgap.org/index.php/2008/06/lure-of-past-times-and-change-of-present-pov/</link>
		<comments>http://www.mindgap.org/index.php/2008/06/lure-of-past-times-and-change-of-present-pov/#comments</comments>
		<pubDate>Fri, 20 Jun 2008 12:54:38 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[perception]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/index.php/2008/06/20/lure-of-past-times-and-change-of-present-pov/</guid>
		<description><![CDATA[The Times newspaper opened their archive beginning with 1785 publications as a digital storage and made it for an introductory period freely accessible: For any historical writer, the prospect of being able to search 200 years of The Times at the push of a button from anywhere in the world is both thrilling and ...]]></description>
		<wfw:commentRss>http://www.mindgap.org/index.php/2008/06/lure-of-past-times-and-change-of-present-pov/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Augusto Boal: Theater and sensitive thinking</title>
		<link>http://www.mindgap.org/index.php/2008/06/augusto-boal-theater-and-sensitive-thinking/</link>
		<comments>http://www.mindgap.org/index.php/2008/06/augusto-boal-theater-and-sensitive-thinking/#comments</comments>
		<pubDate>Mon, 16 Jun 2008 09:10:22 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[performativity]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[sound/voice]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/index.php/2008/06/16/augusto-boal-theater-and-sensitive-thinking/</guid>
		<description><![CDATA[During the last week the renown theater director and writer Augusto Boal held an event on invitation of the berlin biennale. It was a very special evening introducing himself through a longer speech, and then followed by some pieces with invited actors, his son and the participating audience to give a a lively impression ...]]></description>
		<wfw:commentRss>http://www.mindgap.org/index.php/2008/06/augusto-boal-theater-and-sensitive-thinking/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The voices of Küba</title>
		<link>http://www.mindgap.org/index.php/2008/05/the-voices-of-kuba/</link>
		<comments>http://www.mindgap.org/index.php/2008/05/the-voices-of-kuba/#comments</comments>
		<pubDate>Wed, 28 May 2008 12:34:49 +0000</pubDate>
		<dc:creator>mo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[multitude]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[sound/voice]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.mindgap.org/index.php/2008/05/28/the-voices-of-kuba/</guid>
		<description><![CDATA[Berlin's Tanas Gallery (Gallery for Contemporary Turkish Art) shows currently the prize-winning 2004 work "Küba" of Kutlug Ataman.
The installation of 40 interviews on old-fashioned TV models, each supplied with an individual 2 second hand chair, creates a chorus of voices each telling their own story. In front of the monitor one is solely confronted ...]]></description>
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