In the ancient Indian gamble of snakes and ladders, both of the mentioned elements are crucial for the structure of the simple board game, but also quite literally play out the back and forth in time and space representing the twists of fate, as Salman Rushdie interprets it aptly in his book Midnight’s Children …
By accident I am just discovering Chris Kraus, film-maker, writer and co-editor of Semiotext(e) as I came across the announcement for Performative Philosophy: The films and writings of Chris Kraus and Semiotext(e) at Monash University Museum of Art. An event I certainly wanted to visit, if it weren’t that far down under.
Performative Philosophy: The …
Currently the Britain located DV8 Physical Theater is on tour with their latest piece ‘Can we talk about this?’. It is a dance piece, which builds heavily on the actual theme of Islamophobia with specific accentuation on the British situation and thus luckily also recruits its dancers from a multicultural background. For me personally …
Lucinda Childs is today a reknown figure in postmodern and minimal dance, and also known as one of the founding members of Judson Church. You can check out her profile on wikipedia. Though she should also be remembered for the experiments she did from early on like the remarkable Street Dance Performance. The spectators …
Currently – in the show ‘Raum der Linie’ in Munich – I came across some works of Fred Sandback and was left stunned by two different facts: one the fragility, though absolute presence of these works and second – how could I have overlooked them for so long. Some works feel oddly familiar, like …
There is not that much I find about Tankred Dorst’s Merlin or the Wasteland in English sources, and I have to admit that I myself wasn’t aware of this work, which now caught me and my attention, as a piece itself and as the specific piece I saw enacted by nine young students at …
Another performance I had the chance to see lately was Dave St.Pierre’s Libido, which was performed in the context of intransit 11 in Berlin. Admittedly it has been both – disturbing and thrilling – not just because of the nudity (I guess as coming from artistic performance, that is simply not the most overwhelming …