... and continuing reflections on the real and unreal under the assumption that even incorrect readings [..] make something-however marginal or inconsequential-”real,” ... (from comments of the cited post) Long sunday’s recent post contemplates on various ways of popular claims of ends of history and forwards a demand for help to find the ‘real’ essence ...
‘There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false.’image source Guardian This is from the introductionary sentences with which Harold Pinter quoted himself in his video-taped ...
Radio Copernicus a project for artistic use of radio transmitting from Berlin and Wroclaw is featuring experimental workshops and attempts to explore … What happens to radio when artists get hold of it? Radio_Copernicus tries to answer this question in various ways and, in doing so, avails itself of music, spoken word, radio theatre and ...
Under this title (translates: ‘Dream and Trauma’ which incoporates already a connotation of the inherent difficulty and danger) the last project for this year opened yesterday at the Haus der Kulturen der Welt, Berlin. As interesting as the project sounds – reading the introduction text and the here taken assoziations used to connect to common ...
“The place where cultural experience is located is in the potential space between the individual and the environment (originally the object). The same can be said of playing. Cultural experience begins with creative living first manifested as play.” -DW Winnicott 1971 via viralnet Related posts:disconnecting / space of absencebarriers of the paradoxical spacelooking back on ...