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dream interpretation
The final chapter ‘Ten Year of Dreams about Art’ of L.U. Marks book ‘Touch’ offers as a resume of one of her last dream analysis the following:<
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motion / movement
This animation involves a repeating cycle of four different frames (hence “four-stroke”).
The motorcycle moves forward and then backward again (the scenery moves backward and then forward again), -
the moment one starts to look .. it stares back ..
... this is not necessarily a negative paranoid setting – it can be creative as well (see Koolhaas and others).
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different degrees of invisibility
.. are going to be added. Beneath questioning social structures defined by degrees of visible representations also thoughts about cultural and educational differences in how to deal with background / foreground perception might be worth to be thought about again. It might force a general shift about the notion of ‘visibility’ as a defining fact ...
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social imagination – trying ….
to see the bigger picture
some supplements for a comparison between Castoriades’ S(ocial)I(maginary) ..
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Castoriadis’s most original and enduring contribution, however, is as the philosopher of the social imagination. -
Stuff of dreams then mingles with the challenge of reality …
In his interesting text on mapping, as the most common form of visualization of data, Brian Holmes distinguishes the need for location i.e. orientation as a helpful tool to extand our perception.